Showing posts with label ArtJournaling. Show all posts
Showing posts with label ArtJournaling. Show all posts

Friday, November 3, 2017

Secret Journey Journal and Some Beautiful Trim



What happens when you find an old map that your brother wrapped your Christmas gift in, you are thinking about what to make for the next Artist Tribe project and The Police are singing about Spirits in the Material World and their Secret Journey in the background?

Well, this. This happens. 

Naturally. 

What else could possibly have happened? Please don't answer that question. 

So I got this idea for a map of my spiritual journey. So many spiritual artifacts are ensconced in precious boxes covered with beautiful design. I had just the thing. My old iPhone box. I can never throw them away as they are so well made. I found the bottom right away. It took weeks for me to find the top, but that is another story....

So the map was cut into pages the size that could fit in the box. 




 Gwen Lafleur's compass stencil was the obvious choice for this project. I wanted to use a color close to indigo, but alas, in my enthusiasm for pink I have neglected variations of blue. What I had, I didn't have much of. I decided to mix it with black. It actually looks like I used black, but I am happy with the way it came out. 




While pouncing the color onto the page I became transported by memories and stopped paying close attention to what I was doing. The images are not crystal clear as one might imagine, but I decided that gave it a weathered effect that was perfect for this project and moved on. 



Usually, I use a slightly harder cardboard for the cover, but I decided to actually cover the cover. For this I chose a stunning paper from Gwen's collection. I thought the black and gold suited the project perfectly. The cover cardboard was cut to the exact size of the papers, the cover 1/4 inch larger on all sides. 


Adhere the cardboard to the paper. I used gel medium. 


Trim the corners. 



 Glue them down. 


For the interior cover (also called endpapers for those in the know) I used this beautiful peacock print paper also from Gwen's shop. It looks so regal. 



Before I bound the book, I cut a piece of Dresden trim and adhered to the cover using gel medium. Lucky me, the Dresden trim was the exact size to get both front and back pieces from. 

I bound the book using the Coptic Stitch. If you are unfamiliar with the process I would recommend watching a tutorial or two on YouTube. It does take some attention, but is fairly easy to do and looks great. 




Once the book was bound, I added bits and pieces of print in different languages - Chinese that came from Gwen's shop, Japanese and Russian from an instagram friend, French from a biography about the Marquese d' Sevenge who I was researching last spring, some Italian in the hand of Leonardo D'Vinci (though I have seen it written that he wrote backwards and is suspected to have dyslexia) and Korean (some word from a favorite KPop band, Shinee.) These all reflect travels of mine, with the exception of the Russian and that simply reflects friendship.





If I hadn't already decided to make it difficult enough, I chose to do all the text in code. I love a good puzzle. I used the code pig pen if you care to have a go at it. 

I carefully assigned meaning to each page spread and made a guide to help me keep on track. I then went through buckets of old pictures, scanning them, resizing them and using an app to make them all black and white. Some looked great when outlined or cartoonized, others were better with simple black and white. I printed them out like contact paper, cut them out and adhered them to the appropriate pages. 



Thanks to Artist Tribe member Jill McDowell, for inspiring me to see things within the stencils. I found visual hints on each page to keep the meaning coming. 






Let me be real here, a book like this isn't done quickly. It's really introspective, so I decided to begin and allow myself to continue as I go. Maybe you will see the completion post someday.

A beautiful book deserves a beautiful box, nes pa? Here's how I turned my iPhone box into a treasure box. 

Gwen sent me this beautiful piece of sari material. These will be available in her shop before long, so make sure you check in. I love this piece and it was precisely the size I needed to cover the lid! 


After folding the material over the box to make sure it would fit I added gel medium to the lid and pressed it on the fabric along one of the lines. Next, I adhered the long edges. Trim the excess on the ends and stick the sides down.  


Silk is lovely, but it frays in an ecstatic, energetic sort of way. I added gell medium around the edges to make sure they did not fray. 




Let's talk about Gwen's trim for a minute. This stuff makes you drool. With so much trim to choose from how does one begin? My box side is 2" high, so I chose a trim that is 1.5" and it works perfectly. I'm guessing that will help you narrow your choices down a little bit. 

I gave a liberal coat of gel medium on the backside of the trim and carefully adhered it to the box. Clothespins placed at the corners helped to keep it secure while drying. 






So here is the rub. Iphone boxes are snug. Really snug. So I couldn't get into the box very well once I had covered it. No problem, I wanted to do something to the bottom anyway. I glued a piece of the fabric I used in my Kuchi patch brooch to the bottom of the box. 

Then I used hot glue to add sari yarn around the edge of the box. This provides a place to grip and also keeps the box from closing completely. As you can see a piece of sari yarn is used to tie the box to complete the look. 









I just don't know when to leave good enough alone. I wanted to create a secret compartment for my box. I traced the inside of the iPhone tray and cut out a piece of craft foam that size. 





I covered it in the same fabric as the bottom and then attached sari yarn all the way around. Using a button making kit from a sewing supply store, I covered a button with the last scraps of that beautiful sari scrap and sewed it to the middle of the cushion. 





Placing a gemstone bracelet there makes it look like there is nothing else to be seen here. Well, let me dream that is what it looks like. 



The reveal.




The holes in the bottom of the box are wonderful for hiding things. Currently, I have the pig pen code. No, I haven't memorized it. I also have a stick of Japanese amber incense which makes the whole thing smell lovely. I am sensitive to scent and have trouble with most incense due to an allergy to jasmine, but this works for me. You could use a drop of essential oil, some lavendar flowers or a piece of your favorite soap. 


I'm sure to add more to this "secret" compartment, but I'm not going to share that with you. After all, it's a secret! 

Be sure to check out the materials I used from Gwen's shop:

Gwen's Stencil Girl Stencils - Ornamental Collection - Ornamental Compass 

Black and gold paper is from the Irresistible India Mixed Media Happy Pack

Gwen's essentials - German Dresden - Borders Assorted Patterns

Chinese paper from Exotic Orient Deluxe Collage & Embellishment Pack


Sari Ribbon from Darn Good Yarn in Twisted Sister 

And this month Gwen's having a special on trim. Go wild. This stuff is gorgeous. 




Wednesday, June 28, 2017

Always Running

Shoup, Lynda Diane. Always Running. 2017, Private Collection of the Artist.

New spread exploring the time sensitive nature of modern life. 

Do you feel like you are always running? Do you have strategies to combat this? 

Monday, June 26, 2017

Styles of Documentation


Shoup, Lynda Diane. Half a Mind. 2017, Private Collection of the Artist.

Documenting your work can be tricky. There are many different formats for citing works of art. When citing a painting in a paper, the citation looks different depending on the format of the paper. 

This is something familiar to me as I spent a fair amount of time teaching students how citations work as a school librarian. Here is an example of three different ways to make citations for the above work in an academic paper. 


MLA
Shoup, Lynda Diane. Half a Mind. 2017, Private Collection of the Artist. 

APA
Shoup, L. D. (2017). Half a Mind [mixed media]. Town, State: Private collection of the artist. 

Chicago/Turabin
Shoup, Lynda Diane. Half a Mind. 2017. Mixed media. Private collection of the artist, Town, State

As you can see there is a great deal of variation between the formats.

Moral of the story: Check to see what format is appropriate for the situation before finalizing any citations.

This post is the third in the series entitled Documenting Your Artwork


Thursday, May 25, 2017

Changing Blog Title

Art journal page prompted by Rae Missigman's #artmarks30daychallenge


While I haven't been posting to my blog in a while, I have been fairly active on Instagram. Even before the last post, I made I started considering where this blog was going and some changes I hoped to make. Changes I hoped would make this blog more interactive. 

Art journal page prompted by Rae Missigman's #artmarks30daychallenge

It's not unusual for me to overthink things, to dream up new ideas and leave half of them behind as I forge forward with a creative idea. Each week I thought I would make the decision. I would move forward in a new direction. I did some research. I did some brainstorming. I spent time sketching in the park. 

Finally, today, I made a decision. It wasn't any of the options that had been under consideration.

Finally, I decided to just be me. And so it is. No agenda. Just me. Making art. Sharing joy and art. That is all. So from now on, you can find me by my name. 



A collection of mood books I made from magazines I decided had to go after a spring cleaning purge.  
As stated previously, these hands have not been idle while my mind was working overtime. 

1. Chipping away at The Artist's Way, albeit slowly.

2. Making a Facebook page with artist-friend, Cindi Huss, to keep us accountable to each other. You can check out our page at 

3. Completed Rae Missigman's 
#artmarks30daychallenge part 1 and part 2 

4. Did a studio purge as the spring cleaning bug hit me. I needed room to move about. These beautiful magazines needed to go, so I made them into mood books. That way I could try out binding them with the Coptic stitch. This was something that would have been on my bucket list if I had one. The bindings aren't perfect, but they mark progress. 

The mood books stacked to show bindings. Each book is themed by color. 

Thanks for coming by. I'm excited about providing some new content for you. Let me know if there is something you would like to see. 

Wednesday, March 22, 2017

The Artist's Way



I've been hearing about The Artist's Way by Julia Cameron for a long time now. Several years ago my friend Cindi Huss told me about the book and about morning pages. I didn't read the book, but I got the gist and started doing them off and on. About a year ago, the book found me at a Barnes and Noble and jumped off the shelf. Literally. I took it home and it stayed on the very shelf I photographed since then. About six weeks ago I started doing morning pages every day and decided to read the book.

Thus started this journey. 

For the Artist Date portion of my assignments I have decided to set down some time each week with one of the books from the overcrowded shelf, find a skill and try it. So far this is leading to some fun creativity. I'm moving into different territory.


 


I started with the Gelli Plate Printing: Mixed-Media Monoprinting Without a Press by Joan Bess. Quite a lot of paint has been seen flinging about here. Intrigued by the Paper Cloth on page 90, I mixed up some glue, unearthed some muslin and got down to business. What a fun process! Several other techniques await the right tools to make them happen (where is that carpet tape when you need it?)








Wednesday, March 8, 2017

International Women's Day



International Women's Day journal page. The prompt I was working on was "primary". The librarian in automatically thinks of primary documents. So I chose two from the National Archives - one of suffragettes marching on Bastille Day (they ended up in jail) and the amendment to grant women the right to vote. Keep marching. No accepting backsliding. Thanks to the women who came before and paved our way. 


#internationalwomensday #strongwomen#adaywithoutwomen #wearred#wearredforwomen#artmarks30daychallenge #artjournal#artjournaling #artjournaleveryday#artjournalmixedmedia